#i got an idea in my mind about jack and kate talking about juliet
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elizabeth-mitchells · 21 days ago
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the struggle between wanting to write a fic about some characters talking about and mourning your dead fave but not wanting to write a fic without your dead fave present there 😔
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lost-inanotherlife · 7 months ago
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Lost Rewatch S3 - Random Thoughts
As I've stated before, in stops and starts season 3 was quite cringe-y. Of course, we're still navigating high-quality storytelling waters but you know there's something a little wrong when writers admit to being in shortage of creative ideas by episode NINE (the much-talked about "Stanger in a Strange Land"). As a result this post might sound a bit S3-negative although, as I've just said, I'd never question the writers' command of the narrative. It's just that some stuff didn't really work out for me this time, that's all. I'll sprinkle-sprinkle some positivity too 'cause this season gave us all some mind-blowingly intense and beautiful moments, too. We can never forget those.
Starting off strong with our lovingly island-made love triangle: Jack/Kate/Sawyer that's not so slowly becoming a love square. Not a fan of how Kate and Sawyer got together, I'll be honest. Yes, the trauma of being kidnapped, forced to haul rocks and live in cages makes a human do crazier things, still... They put on a pretty dress on Kate and all of a sudden everybody goes "woa" (very 90's "chick flicks", didn't they have EYES before?), Sawyer is smashing rocks under the sun, sweating his own weight off but can't seem to resist the urge to look at her ass and kiss her, Kate herself is working her ass off (sorry for the pun, couldn't resist haha) and, well, the shots very much highligthed that by focusing on her ass... Guys, it was cringe to watch. And yes, the kiss was a distraction and blah, blah, blah. Again: cringe. All of a sudden Kate's madly in love with Sawyer which, you know, I'd have dug if they'd continued to show how their flirty relationship evolved instead of going from their sarcastic banters to extreme "I love yous" desperately screamed at gun point. Same goes for Jack by the way: for most of S2 Jack and Kate are on looser terms compared to the closeness of S1. after their kiss Kate's way closer to Sawyer because she chose him. Jack and Kate are not together and don't speak very much for, possibly, the whole duration of s3 and all of a sudden Jack's all "I love you". I don't see the crescendo of this love, therefore I don't fully buy it. Not gonna lie, the scenes were beautiful and very well-acted but these guys have spent weeks without talking to each other lol. They did the same exact thing in S2 as I've said before and I didn't particularly enjoy it in S2 so it's not like I wasn't gonna see it repeating itself in S3.
The majority of the flashbacks shown in this season are... how can I put it? Not au pair with the usual Lost-esque quality. Particularly not excellent, let's say, were the already mentioned "Stranger in a Strange Land", "Enter 77" and "I Do". Also, please but Desmond's and Kate's wigs in their flahsbacks are plain awful. Please stop.
Conversely, "Left Behind" was a fucking good flashback story. Kate-centric episodes are either meh or extremely good for me. I think she's one of those characters that when you find the right vein to write her, you write an incredbily layered, unbelievably complex character. When you don't, her character feels quite flat and it's a pity.
I might be in love with Juliet?! When I watched S3 for the first time in 2007 I deeply disliked her. Maybe I was too young to appreciate her character, she's not a clear-cut archetype like the other main characters are: more lived life helped me understand her better and now I'm deeply in love with her. I love how you can never predict what her little cute smirk means, she's a bit of a mystery but, unlike Kate, she's as such not because she has something to hide from her past (at least until now lol): she's enigmatic because that's who she is, she's very "torn-in-two" character. Love it.
I'm not liking all these dead women on my screen. Locke couldn't kill his father, couldn't kill Jack but he could sure as hell plant a knife in Naomi's back. The two persons guarding the submarine hatch had to be women and they had to die, didn't they? Of course, the mothers are dying on the island, of course the mob in "The Cost of Living" had to shoot just a woman, of course Bea Klugh had to be killed by Mikhail, of course "Tricia Tanaka is Dead". I was quite growing fond of Tom and was saddened by his death but I ultimately think that if they kept sparing white guys while killing off women and black people in general in the blink of an eye they'd have a real problem. Well, as a matter of fact they still do. They should've done better.
John's "shamanic journey" in "Further Instructions" is very offensive. Shamanic practices are serious things that must be done seriously. But hey, here's our "connected-with-the-island-lazarus-rising" white old man, let's have him enter a sweat lodge, prepare a slop of something so that he can have a vision and resolve this knot in the plot. No, thank you.
I don't agree with people bashing on "Exposé": I think it's a good episode. In fact, I appreciated the Other Losties' POV (Arzt you won't be forgotten!). The real problem is that it's just that: other, plot-unrelated people's pov, nothing really new was added and the characters were eventually killed off so what's the point lol? What I want to say is that it's a good filler episode and I enjoyed it but at this point in the series, filler ep for filler ep, I'd have preferred one that was "-centric" to one or more of the main characters. But hey, I get what I can and, all in all, good ep.
Now, I know that one of the main themes of this season is the impossibility of going back: it was very artfully written to lead us to the season finale's big reveal. Fine, good, intellectually I love it. Instinctually when in a story I see characters going from point A to B and then going back to point A in the span of the same episode or the following I... well, I don't take it well lol. It's a pet peeve of mine, really, but COME ON. It's a way to milk a narrative thread for all its worth. It's a way to buy narrative time without resorting to fillers. But sometimes you just need to let it go and come up with a better idea presto. I'm talking about Kate going back to find Jack as soon as she arrives at the beach. How in hell did Kate know that Jack was on the main island and not still on Hydra? And how did John connect the dots between the writing on Eko's stick and Jack's whereabouts? And why did the Others just leave their barracks, in which they had lived for years, instead of just killing Kate, Sayid and John? Come on. These guys have killed for way less.
The best fucking line of the whole season is Charlie's: "It's the five best moments of my… sorry excuse for a life. My greatest hits. You know, memories. They're all I've got." Chills, literal chills.
"Flash Before Your Eyes" is a totally cringe episode. Everything feels exactly what it is: a set, a prop, a wig on the actor's head, lol. Twenty years ago I was still a naive girl fangirling over Desmond and Penny's relationship but now I know better. Des was a lot of a dick toward Penny, let's be real. He was obsessed with this "honor", with feeling "worthy" and totally took it out on her. She was right, he was indeed a coward. I wish they had given a different backstory to Des. Maybe it's because it's so similar to (re it's the same as) Jin and Sun's story but it didn't land for me this time. I don't see the same "epicness" in their love story that I'd first seen back in the 00'.
Eko's "Redemption-Not-Redemption" arc is the best thing of this season. I have no words to describe it so I'll just leave his final speech here. INCREDIBLE.
I ask for no forgiveness, Father. For I have not sinned. I have only done what I needed to do to survive. A small boy once asked me if I was a bad man. If I could answer him now, I would tell him that... when I was a young boy, I killed a man to save my brother's life. I am not sorry for this. I am proud of this. I did not ask for the life that I was given. But it was given, nonetheless. And with it... I did my best.
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ladysolitaire · 1 year ago
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I'm rewatching the LOST S4 finale because I'm writing something. And I've noticed a few new things.
The scene at the beginning of 4x12 where Kate pointed out Jack's tell when he's lying made me think of this scene in 3x15:
KATE: Did he say that to you? JULIET: Sorry? KATE: That I broke his heart. JULIET: He didn't have to. KATE: You don't know anything about him. JULIET: I know where he was born. I know what his parents did for a living. I know that he was married. And who he was married to. I know why he got a divorce. I know how his father died. I know his height, his weight, his birthday, and his blood type. What do you know about him, Kate? KATE: [Pauses] Let's go.
Source: Lostpedia
I need a full series rewatch but, from what I remember, most of what Kate knows about Jack are things she's observed or things he told her as opposed to Juliet knowing the above about him from his file. So much has happened between 3x15 and 4x12 and Jack has probably told Juliet things about himself that Kate doesn't know or Juliet has probably observed more things about him by this point. But it makes my shipper heart happy that Kate knows him so well and that she could point out that he's lying and he'd just laugh it off. Because he was so obviously lying his ass off here.
2. When the Oceanic Six arrived in Honolulu and they were welcomed by their families, Kate and Aaron were standing by themselves as Diane was likely too sick to travel to Honolulu (and would likely question if Aaron was really her son). I like to think that Jack introduced Kate and Aaron to his mom offscreen. Also, Hurley would have also introduced her to his parents, like he did with Sayid, because that's how he is. I don't like the idea that Kate and Aaron were completely alone and she didn't talk to anyone until the press conference.
3. When Carole talked to Jack after Christian's memorial service, Jack must have been so discombobulated and guilty. Not only did he get definitive proof that his father cheated on his mother, he found out that Claire was his half-sister. On the Island, when Sawyer told them that Claire had disappeared, Jack was visibly distressed and concerned, but he didn't have the bandwidth to look for her because of the larger and more immediate threat to the survivors. But I like to think that he's felt guilty that he didn't look for her (among other stuff he feels guilty about) since then and, in the back of his mind, wonders if he should've done more to find her. Then he finds out that she's his half-sister? I believe his guilt increased tenfold, which is why he couldn't see Aaron.
4. In 4x13, when the A-Team reunited at the helicopter, both Jack and Sawyer were happy to see Kate. Despite some mild flirting though, Kate went to Jack to check his bleeding wound. (I always notice this when I rewatch this episode and I'm always happy to point this out.)
5. The Disney+ version now has closed captions for the last part of what Sawyer whispered to Kate before he kissed her and jumped off the chopper:
I want you to find her, tell her I'm sorry.
(The trivia section of the episode on Lostpedia has the full version.)
Anyhoo, the look on Jack's face as he watched them hurts every time I watch this episode.
6. Sayid's longer hair in 4x14 is hot as hell.
7. Yunjin Kim's performance on the chopper when the freighter blew up should've earned her all the nominations and awards.
8. After Ben moved the Island (including Hydra Island) and Lapidus told them to put their life jackets on, Jack helped Kate put on her life jacket first. He didn't even get to put his on before the chopper landed in the ocean.
9. I love that Jack's tell is 100% relevant to the Oceanic Six narrative.
10. The Penmond reunion is still one of the best things this show gave us.
11. That little Jate moment after they were "rescued" always warms my heart.
12. I'll never understand why Jack owns such an ugly car. He could've bought a nicer car with his settlement money from Oceanic Airlines.
Anyhoo, I'm off to finish the fic. I have to polish it and post it by the end of the week!
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simptasia · 1 year ago
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I'm surprised you never ever made the connection that if Charlie had survived he would have been part of the Dharma group because that's all I think about like what would his dharma job be? Would he live with Miles, and would they sleep ass to ass? Would him and Miles be forced to hang out with baby Ben to not blow their cover? Sawyer and Juliet obviously took these leaders/parental roles pretty easily so Dan, Charlie and Miles would be their naughty children - other anon was interesting cause i do think it would give room for dan and Charlie to build a relationship of some sorts that some might view as romantic or queer in the early 2000s TV show light like it would be implied they were 'close' before Dan ran away - but also Charlie would not give up looking for Claire (nor dan get over charlotte) so would him and Sawyer have to go out every day and look (Sawyer indulges him surely) ? Would Charlie's curse follow him and now Desmond if off the island, would Someone else who was close to the blast get these visions and have to constantly save Charlie or would that disappear? Baby Ben interacting with Charlie and Miles is a funny thought. The Hurley Charlie reunion would break hearts across the world
I think in a scenario where Charlie was part of the dharma group, Miles would have gotten less screen time because they would have written Charlie to be buddy buddy with Sawyer.
But yeah I can see Charlie and Miles having to be roomies. Which makes me realise, in our proper timeline, were Miles and Jin sharing a living space? I think they'd have to be. Like, logically it's Sawyer and Juliet, and Dan fucked off, so those two are the ones left over.
Also I'm gonna address the elephant in the room: Dharmaville does not have enough houses to allow all the people they had living there, if they're doing two people to a house like the show suggests.
...Also not enough room for everybody when it becomes New Otherton. This show is playing a magic trick on us.
"Sleeping ass to ass" jhfskjhfs. There's Only One Bed
How the show would play all this off is one thing, but in my mind, I do like to imagine Charlie and Miles becoming bitchy besties. Like, they don't like each other at all at first but grow to. I imagine Miles would have no respect for Charlie and finds him annoying. And Charlie appears to be threatened by every other man at first (not just in the context of Claire, for his self esteem in general). Except for Jack and Hurley. Huh. Must be their autistic swag.
You bring up a lot of interesting plot ideas here, I'm growing fond of this timeline. I can see Sawyer indulging Charlie's need to find Claire, out of pity. And also Sawyer was fond of Claire in a brotherly way too. Man, throw Charlie in here and we've got a shit ton of dudes pining/lamenting for their ladies. Sawyer about Kate, Jin about Sun, Daniel about Charlotte and add Charlie about Claire. You just have Miles as the odd one out. As he tends to be.
You bring up a good point, if Charlie lived, would Des still get visions about him, espech if they're seperated by time. Mind you, Des' brain is special so its possible he'd still see visions of Charlie. And that'd be a way to clue Des in on the time travel thing that's different from what happened in the show with Dan! Hmm...
I'm amused at the idea of ABC's LOST queerbaiting with Daniel and Charlie of all people. (Bro What If We Kissed On The Dharma Swing Set) I think if that was a viable marketing strat back then, they'd use Jack and Sawyer for it. Either way, it'd be funny. As it is, they kept having accidental gay tension/implications in LOST that was probably better written than anything they'd do on purpose. Kate/Claire, I'm talking about Kate/Claire.
"The Charlie Hurley reunion would break hearts across the world." Oh my gosh, yes!! That'd be so good! I'd cry!
And the most important thing about all this is that Charlie would look adorable in a Dharma jumpsuit.
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get-lost-in-fanfiction · 3 years ago
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if you still do requests for ben-centric stuff, could you do reader/oc time travels and meets baby ben in the 70s? or something similar >//> thank you! -❄️
Second Meeting - Oneshot
Paring: Ben Linus x Reader
Word Count: 1.8k
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There’s something to be said about how quickly three years can go by. You can still remember how bad your headache was during the flashes. You still remember clinging tightly to Ben’s shirt before he descended into the Orchid. You didn’t know what was going to happen or if you were ever going to see him again. But the last 3 years have been a blur, full of everything DHARMA Initiative, and yet he still hasn’t left your mind.
You miss Ben terribly. Despite the many date offers by the Initiative members, you never allowed yourself to go on any of them. Juliet had tried to encourage you to go on some, even set them up for you. She knew it was pointless, and that even after three years you still held strong feelings for her old leader.
When Jack, Kate, and Hurley showed up you felt a shred of hope. You went with James to meet them, heart full of joy. It all sank when Kate never mentioned Ben at all, and you were too afraid to ask if he had come along. You were even more shocked to learn Locke had died, and were desperate to know how. You didn’t want to push it though, and your heart and brain was so full of shock you could barely get a sentence out.
You rode in silence with James back to the Barracks. You both had a silence agreement to not ask each other how you felt. That was how your friendship worked, and that’s how it always worked. From day one to now, it’s a silence agreement that neither of you two are okay but you won’t press for information.
You two are back at James and Juliet's house, rummaging through his wardrobe, grabbing shirts from hangers quickly. Juliet enters and you don’t hear her until she speaks.
“Hey,” She says and you look up while James keeps looking.
“You seen my baggy sweatshirt, the one with the bulldog on it?” He asks, still frantically pulling clothes together. You just stand there, looking at the shirt in your hands.
“It's in the laundry. James... what's going on?” Juliet asks, and James finally turns around. He gives a pained look to you, and you know exactly why.
“They're back,” You half whisper, and Juliet looks between the both of you in disbelief.
“I'm sorry. Who's back?” She asks.
“Jack, Hurley, Kate,” James replies, and Juliet has so many emotions on her face it’s hard for you to decode them all.
You tune out the conversation. Juliet’s expression did something to you. It shoved some sharp in between the cracks that were already there and threatened to shatter you. You were shaken from your thoughts as James drops the bag of clothes and sits on the bed beside Juliet. You realize you’ve been standing still for a while now and drop down beside him.
James sighs, “I don’t understand it any more than you do. But they're here, and I gotta find a way to bring 'em in before somebody else finds 'em and they screw up everything we got here.”
That's when it hits you, “There's a sub coming in this afternoon,” you say with your voice raised slightly and a sliver of hope comes back.
The next hours are a blur of trying to get Jack, Kate, and Hurley into the Initiative without raising any red flags. You think it seems to go smoothly enough, but nothing is ever simple. Especially not when Jack, Kate, and James are back involved with one another again. You watch Juliet very carefully throughout the day, and her expressions. You realize as you watch, that life as you know it has come to an end. God, planes do so much emotional damage.
When you get word there’s someone out in the jungle, some part of you screams that it’s Ben. They’ve taken him as a Hostile, which is not good. Your mind is already spinning with ideas on how to get him out. But then James gets word on his walkie that it’s Sayid, and your heart deflates. You’re not upset that Sayid is here, you just desperately wished it was Ben. So you volunteer to ride out with James to the Flame to see what’s going on.
Just as you expected, James turns you down. He says you need to keep an eye on Jack, Kate, and Hurley and he says he’ll take care of Sayid. You find yourself nodding, feeling numb. There was no one else with Sayid. You can almost feel hope draining out of your body and onto the grass beneath your feet.
You stand next to Phil in silence through the whole Orientation and picture taking. Everything seems like a blur and you’re not really present in your own head. Stuck in 1977 without the man you love.
“Okay,” Phil says and he claps his hands, shaking your from your thoughts, “Right on. So you guys have the rest of the day to get acquainted with your security protocol handbooks waitin' in your new digs. Now some of it may seem a little scary, but I promise you all, we are perfectly safe here, okay? So make yourselves at home. Come on. We got hamburgers. We got punch.”
Phil’s walkie goes off and you hear James’s voice through the other end “You there, Phil? We're coming in with a 14-J.”
“Roger that, Mr. LaFleur,” Phil’s replies and turns to you. He nods and you nod back, preparing to see your friend again
A DHARMA van stops and Phil speaks up again, “Okay, if I could get everyone to hold back, please, we have a minor security situation.”
James, Jin and Radzinsky step out with Sayid. You watch them all, and you and Sayid make eye contact. You’re surprised to see his eyes widen slightly at the sight of you. You don’t nod or make any acknowledgement that you know him, Phil is too close.
“Move,” Radzinsky says and you can’t help but flinch as they march him away.
“I guess we found Sayid,” You can hear Hurley say and you privately think that this is going to end up being a horrible shit show.
You follow the group despite Phil’s protests as you tag along while they march Sayid down the stairs of the security office and into a prison cell.
“All right, you can hang out here until we can figure out what the hell to do with you,” James says to Sayid and you have to remind yourself his tone is just for appearances sake. You don’t understand why you’re so sensitive
“What are we gonna do with him?” Phil asks James, giving you a sidelong glance. You and Phil have never gotten along. He didn’t like a woman working on the security team, but James insisted.
James sighs deeply before answering, “Bring the man some damn food. We're not savages.” James turns and locks the cell and gives Sayid a glance before walking away.
You want to stay and talk to Sayid. You want to ask him about Ben. Is he still on the mainland in 2007? Is he alive? Did he come with them on the plane? You’re torn and want to stand up for yourself, but Phil tells you to “come along” with a firm grip on your elbow and to have to comply. You give Sayid a tortured look behind Phil’s back and Sayid responds with a sad look and a bowed head.
You win by getting Phil to allow you to watch the security cameras. He sits at his desk, pretending to do work, but you know he's watching you. You sit in one of the chairs facing the screens and just start at Sayid feeling forlorn.
You hear the door open but don't bother to look up. You've been sulking this whole time feeling sorry for yourself. Your ears perk up when you hear a young boy’s voice
“Hey, Phil,” the boy says and you turn around, “I'm just gonna go in there and deliver him a sandwich.”
“All right”, Phil replies, nodding at you to keep an eye out. Your eyes widen as you watch the boy. He looks at you and your eyes lock.
Your heart explodes in familiarity at his eyes and you're in disbelief. The boy turns and walks away, obviously oblivious to what just happened with you. You scramble to your feet despite Phil’s protests and tag along with the boy.
You two enter the cell room. Sayid looks between you and the boy. The boy doesn’t seem to notice
“Hello. I brought you a sandwich,” the boy says and holds a bag through the bars, “I didn't put mustard on it, but if you'd like some, I could get some.”
“This will be fine. Thank you,” Sayid replies. The paper bag crinkles and your throat is dry. The boy looks up at you and you smile apprehensively at him. It’s meant to be reassuring but you don’t think it comes off that way.
“Are you a Hostile?” The boy whispers, looking at you with a terrified expression. You’re unable to say anything.
“Do you think I am?” Sayid shoots back, flicking his eyes over to you every few seconds.
“What's your name?” The boy replies, and it’s a game of questions. You squat down next to the boy, ready to pull him away if Sayid gives away too much information.
“Sayid. What's yours?”
“I'm Ben.”
Suddenly your ears are ringing. You almost fall over but catch yourself on the wall. Sayid is looking at you funny, seemingly shocked as well but more shocked at your reaction.
“It's nice to meet you, Ben,” Sayid replies with his eyes on you.
It’s Ben. It’s young Ben. You had no idea he was with the Initiative. Was he the one who started the Purge? ‘Oh my god’ you think. Young Ben leaves, giving you a weird look. He doesn’t recognize you, but how could he? Time is so fucked up, and you’re not even sure if this is the same Ben that you fell in love with. Will they grow up to be the same?
You press your back up against the nearest wall and slide down onto the floor. Your heart is pounding a bruise into your ribcage and you're lightheaded. Sayid looks at you, seemingly nervous to speak. You wouldn’t know what to say to him anyway. You're feeling way too many things at once to even be able to think about anything but oxygen to your deprived lungs.
Eventually, Phil comes storming in, pulling your shocked form off the floor, and sending you home. It's dark and chilly outside. All the lights of the houses are out except for James and Juliet’s. You don't go see them, you have to go home and process this whole day.
You make it home, barely flicking on a lamp before collapsing into bed in your jumpsuit. You manage to kick off your shoes and shimmy under your bed blankets. Maybe you don't have your Ben back, but at least you have a Ben.
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Please let me know if you’d like to be tagged for oneshots!
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apicturewithasmile · 7 years ago
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LOST rewatch (season 1):
[follow the entire rewatch-tag here]
episodes 1 and 2 – Pilot:
Jack’s Angel Hair Pasta speech is making my eyes roll so far back up my head that it hurts
Kate speaks the first “we have to go back (for him)” around minute 39 of ep1
I forgot how incredibly sexy Naveen Andrews is
John Locke doesn’t speak his first line until minute 23 of ep2 when he explains Backgammon to Walt – his iconic Orange Smile scene and the Sitting In The Rain On The Beach scene actually both happen before he gets to speak
episode 3 – Tabula Rasa:
Oh, it’s the first “previously on LOST”
the sheer loathsomeness of that fucking US marshal… ugh
Michael: “I will get your dog back as soon as it stops raining.” – rain: *stops*
Wash Away playing in the final scene
that last shot that made John look like he was gonna be some mysterious villain character when actually he’s just the jungle philosopher who talks to the island
episode 4 – Walkabout:
yaaay, the first boar action
I can’t believe they waited until the airplane food was all eaten up before they thought about finding food on the island
that asshole from the office who’s bullying John makes me so angry
“don’t tell me what I can’t do” makes its first appearance at minute 21 and is quickly followed a mere minute later by the second appearance
totally forgot that John is actually the first one to see Smokey – and that early on in the show?!
Uuuuuuh first time we see ghost!Christian Shephard
Do we really think John killed that boar on his own or did Smokey help him?
episode 5 – White Rabbit:
there’s so many times they say “the others” before there’s even any sign of The Others™ I’m starting to wonder whether it’s intentional
the best thing about Jack-centric episodes is Christian Shephard (I got it hard for daddy Shephard okay!??!?!)
do Australians really sound like that or did they mainly cast American actors for the scenes that take place in Sydney?
aaaaand there they are, the Jears (Jack tears)
episode 6 – House of the Rising Sun:
god I love Sun and Jin, I hate how underrated all of their flashbacks are
bless the bad CGI bees
look! it’s Mother’s first appearance
episode 7 – The Moth:
ugh it’s a Charlie episode -.-‘
headcanon: Jacob made that cave collapse because he wanted to get rid of Charlie
John believing and being proud in Charlie makes this episode worthwhile for me
episode 8 – Confidence Man:
Kate is actually carrying a… bundle??? of bananas over her shoulder. What’s mote #jungle aesthetic?
John you manipulative bastard, I love you!!!! I can’t wait for Not Henry Gale to join you into an endless manipulation play-off
I honestly can’t remember whether or not Sawyer and Sayid will ever work out their issues in the later seasons and actually get a somewhat friendship?! I don’t remember any bro-scenes between them which is a shame tbh.
Boone: “She’s my sister!” – god how did I think it was totally reasonable to turn this into an incetuous romance?!
episode 9 – Solitary:
Yaaaaaaaaaasssss it’s Sayid’s first episode which also means: DANIELLE ROUSSEAU!!!
I am a big Shannon/Sayid shipper but I can really understand the folks who ship Kate with Sayid. It would have been soooo much better than the love triangle of hell.
And I hate that Sayid doesn’t speak Arabic in his flashbacks. I get, Naveen Andrews doesn’t speak it but… they made Daniel Dae Kim speak Korean even tho he couldn’t?!?! It’s a bit of inconsistency that annoys the crap out of me.
I’m moaning a lot considering this is my fav show… there’s just… a couple of things about season 1 that always been bothering me.
OH MY GOD IT’S CREEPY ETHAN!!!
Danielle looks so fucking good and so does Sayid fnfsdkgnjkngjdfh my bi senses are tingling.
episode 10 – Raised By Another:
Claire’s nightmare is super fucking disturbing
Her ex is literally the most annoying fuckboy and I have absolutely forgotten about him for a good reason. What an asshole.
Kate’s been wearing the same green short for at least the past 3 episodes… which… I get because clothing is limited on the island but it reminds me of the Simpsons’ wardrobe
The fact Creepy Ethan™ is there after Claire wakes up the second time saying she’s been attacked should have been the biggest #clue.
Hurley getting the flight manifest from Sawyer by just… talking to him… my aesthetic!
The “Ethan is creepy”-reveal is soooooo well done gjfsngkngdg
episode 11 – All The Best Cowboys Have Daddy Issues:
More Terry O’Quinn close ups please!!!
I love that John is “of course Kate is coming along” and just hands her a knife whereas Jack is always like “no, don’t come along, this is #dangerous” – like… by now we should all know there’s no stopping Kate!
John predicting the rain is one of my fav scenes.
Wooooow they discovered the hatch THAT early in the season?!??!
episode 12 – Whatever The Case May Be:
Sawyer really shouldn’t go swimming in sweet water with his wounded arm.
I love Rose :’)
okay this episode was kinda underwhelming but that might be because I remembered what was in the case
episode 13 – Hearts and Minds:
I do not remember this episode title AT ALL so I have no idea what to expect
Aaaaaah I think it’s the Shannon and Boone incest episode which explains why I have forgotten about it – one of the most unnecessary plots in the history of LOST ever
How is Boone still friends with Locke after this whole bondage mess? Nevermind, John could do anything to me and I’d still follow him to the end of the world.
“PEE ON IT!”
episode 14 – Special:
I hate that Michael’s ex took his son away from him. She shouldn’t have put him in that position. I hate her.
What is it with Michael and car accidents?
and now she’s clearing her bad conscience with money. I HATE HER!
And now Charlie’s reading Claire’s diary – I hate him, too!
Aaaand here comes the bad CGI polar bear
Every time John Locke smiles an angel gets its wings.
Claire is already back?!?!?!?
episode 15 – Homecoming:
Wait…. Is this already when they kill Creepy Ethan? If so then I really liked this episode. Probably the only moment I truly liked Charlie.
The Scott/Steve-joke never gets old.
I love that Sawyer organised a gun for Kate. If I absolutely had to ship any combination of the love triangle of hell it’d be Kate and Sawyer… but only because Juliet isn’t in the picture yet.
episode 16 – Outlaws:
Oh it’s the Sawyer versus boar episode, I love that one!
Sayid you sassy fucker, I love you!!!
I love that they made the “I never…” scene so long.
“You’re not alone – don’t pretend to be!” is exactly what I needed to hear right now, thanks Sayid!
episode 17 - …In Translation:
How are Sun and Jin both so incredibly beautiful? Newsflash: I’m bisexual!
Hurley, my lovely empathetic sunshine!
Is it just me or is Michael’s first raft bigger than the second version?
John back at it again with the jungle philosophy.
“WE ARE NOT THE ONLY PEOPLE AN THIS ISLAND AND WE ALL KNOW IT!!!!” you go John, tell them!!!
Aaaah Jin’s father aka the only good father in the entire show!
episode 18 – Numbers:
FINALLY!!!
John building the cradle with Claire for the baby is breaking my heart. Jungle grandpa Locke <3
I’d love for the monster to have been a “pissed off giraffe”
DANIELLE IS SO FUCKING BEAUTIFUL
episode 19 – Deus Ex Machina:
Awwww I forgot that John worked in a toy shop – that’s so cute
Damn he looks so much better without hair than he does with it
Anthony fucking Cooper you disgusting weasel of a human being
I just remembered that the “Deus” that’s in the “Machina” is Desmond Hume, my Scottish puppy – can’t wait for him to be there doing his thing
God that moment with the light is sooooo good! That’s when I was #hooked the first time I watched the show.
And I just remembered: that’s John saving Desmond’s life there and Desmond saving John’s life and rgkdabgdlkgndg
episode 20 – Do No Harm:
Jack doesn’t deserve this wonderful wife…. And I really don’t like the whole “fixing things” trope that surrounds his character.
Oh riiiiiight, Claire’s having the baby while Boone dies. I totally forgot about that. I love it!
Sun is soooo strong in this episode, I love her!
Jack: “Don’t tell me what I can’t do!” – I think this is the first time someone other than John said it.
god it’s so fucking tragic with everyone looking at the baby while Shannon gets told the news her brother died. it’s too much for my tiny heart
episode 21 – The Greater Good:
John it ain’t really helping that you still drowned in Boone’s blood, my guy, my buddy, my pal.
Sayid saying “I know when I’m being lied to.” is kinda foreshadowing the whole Henry Gale affaire because he was the only one who wouldn’t take any of Ben’s shit for even a second.
Sayid: “You’ve never fired a gun before!” – Shannon: *fires gun*
episode 22 – Born To Run:
judging by the title of this it’s gonna be a Kate episode
ah yes…. The horrible blond wig. I mean…. How bad must a wig be to see it’s a wig from behind?!??!?!
episodes 23-25 – Exodus:
jhbdfajksfg it’s Ana Lucia, bless her, my lovely angry smol child
it was absolutely not necessary to show Sawyer with his shirt off but I ain’t complaining
anyways… when will I ever have enough time and money to go to Hawaii?
That Walt/Shannon/Vincent-moment breaks my heart big time.
The Black Rock being an old ass ship was one of the biggest plot twists the first time I watched.
The parts of Arzt flesh raining down on our guys was really more realism than needed
IT’S SMOKEY!!!! Yaaaasssss!
Has there ever been a better finale for the first season of a show ever?
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ninewheels · 5 years ago
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NineWheels Rewatches Lost 5x08 “LaFleur”
It really bothers me in genre shows when our heroes travel back in time, specifically to early-mid 20th century small town America, and the characters of color express absolutely no misgivings about how to blend in until they are directly confronted with the racism of the locals.
I say all of this not because it has anything to do with Lost specifically, but because it’s just on my mind thanks to the latest episode of Agents of S.H.I.E.L.D. I guess I’m saying this because the time and place that most of the Losties wind up in for the rest of the season is just modern enough (late 70s) and unusual enough (the Island) that they figured race wouldn’t be a big enough issue to address it at all, and I’m cool with that because it means I don’t have to sit through any of those crap tropes. It always comes across as incredibly dim-witted, as if the show’s implying that racism is just over now and is something we only think about in the past tense. Which, I mean... *gestures to reality*
Anyway, to talk about the things this episode is about, rather than what it isn’t: Sawyer steps into his role as a leader figure. What with his childhood trauma kinda-sorta resolved in “The Brig” this is a good angle to take with him, and it counters well Jack’s character arc, where he’s losing his grip in a desperate attempt to fix everything. Sawyer’s whole thing here is about moving on. He gets to move on from the name “Sawyer”, from his old life, from Kate, from the idea of getting off the island at all.
At the time, I was really hoping Sawyer and Juliet’s relationship this season was going to stay purely platonic, just because there are pretty much no well-developed friendships between male and female characters on this show whatsoever. Anything with any kind of depth involves romance, or at least romantic tension. They almost had something good with Ana Lucia and Eko in season 2, but then they barely interacted once they got to the beach. All it took was this episode to make me change my tune. They’re so cute together, and they complement each other so well, and... *sighs* boy am I not looking forward to the very end of this season.
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